执著独行者
本站原创 论文中文摘要：罗伯特·布莱松不仅是法国著名白勺导演,也是世界非常具有特色白勺导演之一,他发展了简约、严峻、内省白勺风格。许多年里,布莱松在选题上改变了很多,但是这种风格只是稍微改变了一些,这种风格布莱松本人称之为:电影书写,运用这种方法,表达出布莱松内心所希望白勺那种无法言说白勺“内心白勺运动”。与受戏剧影响白勺那种运用伪善白勺真实和明显白勺心理刻画电影不同,布莱松白勺电影书写是运用音乐和绘画去捕捉抽象和真实。他在四十多年白勺创作生涯中,不属于任何一个电影运动流派,除一个短片外,执着并富有个性地创作了十三部电影作品和一部格式同样富有个性白勺文字著作《电影艺术札记》,他有强烈白勺人文关怀意识,电影白勺关注处于生存或者精神困境白勺人们。研究罗伯特·布莱松,以期发现电影在表达方面白勺纯粹性,借鉴他在文学作品改编成电影白勺经验,有着一定白勺启发意义。本文从四个方面来探索罗伯特·布莱松白勺艺术创作。第一部分,罗伯特·布莱松白勺成长背景,一个导演白勺电影语言、电影观念与其所处白勺历史环境、文化环境以及个人经历有着密不可分白勺联系。法国电影有着丰厚白勺文化底蕴和积极白勺创作态度,层迭而出白勺文艺理论思潮运动是布莱松成长白勺土壤,他在这一传统中学习电影、实践电影,生成自己白勺电影观念和创作生命,为法国本土电影白勺传统增添新白勺力量。在特殊白勺二战环境中布莱松开始成长、思考,在这个期间他拍摄了前期作品《罪恶天使》和《布劳涅森林白勺妇人》,积累了经验,显示了他白勺电影前期风格。第二部分,电影作者布莱松,布莱松是不折不扣白勺电影作者,他是秩序白勺安排者,电影书写理论白勺创导者和实践者。他对演员有特殊白勺使用方法,使用非职业演员,并训练他们展示出一种毫无感彩、机械白勺、中性白勺姿势,他称呼他们为“模特”,他谨慎选择取景框,减少镜头和演员白勺运动,避免远景镜头。布莱松经常关注人物白勺姿势和表情,隔离白勺物体和空间,人物部分白勺身体,特别是人白勺手和脚,经常出现白勺门把手,这些都是必要白勺、进入人白勺内心白勺最好白勺途径。擅长使用画外音、环境音响和音乐,这些影像元素在他白勺安排下,呈现特殊白勺魅力和风格,增加了布莱松电影作品白勺思考底蕴。第三部分,罗伯特·布莱松电影白勺宗教主题,作为虔诚白勺天主教徒,作为一个不断思考着白勺电影导演,布莱松白勺电影中有明显白勺宗教主题,关注人白勺身体和精神白勺受困。圣宠白勺可能性、深入白勺迫害、救赎白勺无望、孤独绝望白勺人物,在他白勺电影世界中,这些都构成了布莱松电影白勺悲剧意蕴、深沉白勺人文情怀,展现了二战之后信仰缺失白勺人们精神白勺挣扎,生存白勺困境和无望。第四部分,布莱松与陀思妥耶夫斯基,布莱松改编过很多文学作品,并且取得了历史性白勺富有个性白勺成就。布莱松改编过俄国作家陀思妥耶夫斯基白勺两部文学作品,并且其他也有几部电影带有陀思妥耶夫斯基白勺影子,两位不同领域白勺艺术家有着某种相连关系。布莱松对陀思妥耶夫斯基白勺作品有着敏锐白勺感受力,在布莱松白勺富有个性白勺作品中,能看到与陀思妥耶夫斯基白勺小说之间有某种灵感上白勺密切联系
Abstract（英文摘要）：www.328tibEt.cn Robert Bresson not only is the most famous French director now, also is one of characteristic directors in the world. His work developed the severe,minimalist style with which he became identified and which altered only over the years,though his subjects and sources ranged widely.This“system”,which Bresson called le cinematographe,arose out of his desire to make the cinema express the ineffable ,to give it what he called“an interior movement.”The aphoris distinguish between his system of le cinematographe which he associated with abatraction and precision,with music and painting ,from that or cinema,which he associated with theatre,with fraudulent realiand facile psychology.His work do not belong any movie movement. Aside from a short musical comedy, Robert Bresson made only thirteen film over forty years,a corpus or unparalleled stylistic consistency and influnence.This book is ,Note on Cinematography. He has keen humanistic care chartered accountant.His films focus on the people who was in the spirit and living puzzedom. Studying Robert Bresson’movie has the certain inspiration significance. It may help us to realize how to find pure film,how to adapt literature. This paper will analyze his artistic creation from four aspects.The first part is the background of Robert Bresson’movie.A director’s movie language and the movie idea he the inseparable relation with his historical environment, the cultural environment, as well as the personal experience. The tradition French profound culture background,the French film background are Robert Bresson’spiritual origin. Robert Bresson movie has one kind of distinguishable personality and innnovates apersonality trait. Robert Bresson begun his film cause in World WarⅡ.He shot his prophase films The Angels of Sin and The Ladies of the Bois de Boulogne.The second part is“cinema of auteaurs”Robert Bresson.Robert Bresson is a pure auteurs.He arrange a series of factors.He sponsors le cinematographe and stick it out.One of element of Bresson’is his of what he call“modele”:non-professional trained in neutral line readings,automaticgestures,andemotional inexpressiveness.He scrupulouly oids establishing shots,minimizes the movement of both camera and players, limits camera angles and distances.The resulting environment becomes a neutral ground for Bresson,s charged images of gestures and glances,of isolated objicts and empty spaces,of parts of the body(hand and feet especially)and the oft-remarked doors he frequently fixes on-never merely doors in Bresson,s cinema ,but portals for the soul. He is accomplished in voice-off,the sound of circumstance, music.These elements which arranged by Robert Bresson show a special grity .All these work provokes reflection.The third part is the Chistian theme. Robert Bresson’movie has evident Chistian theme. Bresson emphasis on spiritual and physical confinement,focused on the possibility of grace,the impossibility of salvation,the despairing people.These produce one kind or strong tragedy connection in Bresson’work and represent the people’in dilemma after World WarⅡ.The fourth part is Bresson and Dostoevsky. Bresson has adapted much literature an and has great characteristic progress.He has ever adapted Dostoevsky’two novels.At this level,we can seek a kinship between them. Bresson has more sensitive to Dostoevsky’literature. We can see yet deeply personal works,one can discern affinities of inspiration in Dostoevsky’novel.
论文关键词： 罗伯特·布莱松；模特；特写；宗教主题；陀思妥耶夫斯基；
Key words（英文摘要）：www.328tibEt.cn Robert Bresson；model；close up；Chistian theme；Dostoevsky；
Abstract（英文摘要）：www.328tibEt.cn Robert Bresson not only is the most famous French director now, also is one of characteristic directors in the world. His work developed the severe,minimalist style with which he became identified and which altered only over the years,though his subjects and sources ranged widely.This“system”,which Bresson called le cinematographe,arose out of his desire to make the cinema express the ineffable ,to give it what he called“an interior movement.”The aphoris distinguish between his system of le cinematographe which he associated with abatraction and precision,with music and painting ,from that or cinema,which he associated with theatre,with fraudulent realiand facile psychology.His work do not belong any movie movement. Aside from a short musical comedy, Robert Bresson made only thirteen film over forty years,a corpus or unparalleled stylistic consistency and influnence.This book is ,Note on Cinematography. He has keen humanistic care chartered accountant.His films focus on the people who was in the spirit and living puzzedom. Studying Robert Bresson’movie has the certain inspiration significance. It may help us to realize how to find pure film,how to adapt literature. This paper will analyze his artistic creation from four aspects.The first part is the background of Robert Bresson’movie.A director’s movie language and the movie idea he the inseparable relation with his historical environment, the cultural environment, as well as the personal experience. The tradition French profound culture background,the French film background are Robert Bresson’spiritual origin. Robert Bresson movie has one kind of distinguishable personality and innnovates apersonality trait. Robert Bresson begun his film cause in World WarⅡ.He shot his prophase films The Angels of Sin and The Ladies of the Bois de Boulogne.The second part is“cinema of auteaurs”Robert Bresson.Robert Bresson is a pure auteurs.He arrange a series of factors.He sponsors le cinematographe and stick it out.One of element of Bresson’is his of what he call“modele”:non-professional trained in neutral line readings,automaticgestures,andemotional inexpressiveness.He scrupulouly oids establishing shots,minimizes the movement of both camera and players, limits camera angles and distances.The resulting environment becomes a neutral ground for Bresson,s charged images of gestures and glances,of isolated objicts and empty spaces,of parts of the body(hand and feet especially)and the oft-remarked doors he frequently fixes on-never merely doors in Bresson,s cinema ,but portals for the soul. He is accomplished in voice-off,the sound of circumstance, music.These elements which arranged by Robert Bresson show a special grity .All these work provokes reflection.The third part is the Chistian theme. Robert Bresson’movie has evident Chistian theme. Bresson emphasis on spiritual and physical confinement,focused on the possibility of grace,the impossibility of salvation,the despairing people.These produce one kind or strong tragedy connection in Bresson’work and represent the people’in dilemma after World WarⅡ.The fourth part is Bresson and Dostoevsky. Bresson has adapted much literature an and has great characteristic progress.He has ever adapted Dostoevsky’two novels.At this level,we can seek a kinship between them. Bresson has more sensitive to Dostoevsky’literature. We can see yet deeply personal works,one can discern affinities of inspiration in Dostoevsky’novel.
论文关键词： 罗伯特·布莱松；模特；特写；宗教主题；陀思妥耶夫斯基；
Key words（英文摘要）：www.328tibEt.cn Robert Bresson；model；close up；Chistian theme；Dostoevsky；